Chicago

Scenic Design for The Arts Center of Coastal Carolina

Direction Russell Garrett

Lighting Jose Santiago

Costumes Christina Beam

Ring of Fire

Scenic Design for Florida Rep

Direction Jason Parrish

Lighting Tyler Perry

Costumes Kim Griffin

Hank Williams Lost Highway

Scenic Design for Florida Rep

Direction Jason Parrish

Lighting Tyler Perry

Costumes Kim Griffin

Peter and the Starcatcher

Scenic Design for Orlando Shakespeare Theatre

Direction Michael Carleton

Lighting Eric Haugen

Costumes Jack Smith

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Nine

Scenic Design for Theatre UCF

Direction Earl Weaver

Lighting Andrew Mulkey

Costumes Dan Jones

The Merry Wives of Windsor

Scenic Design for Orlando Shakespeare Theatre

In Rotating Rep with To Kill A Mockingbird

Direction Brian Vaughn

Lighting Kevin Griffin

Costumes Holly Payne

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To Kill a Mockingbird

Scenic Design for Orlando Shakespeare Theatre

In Rotating Rep with The Merry Wives of Windsor

Direction Thomas Ouellette

Lighting Kevin Griffin

Costumes Denise Warner

"I was mightily impressed...Orlando Shakespeare's recipe is the staging of Thomas Ouellette which is exceptional in every way...Bert Scott's thrust-stage set, dominated by a tree and porch swing, never gets in the way of the action..."

Macbeth

Lighting Design for Orlando Shakespeare Theatre

Direction Jim Helsinger

Scenery Bob Phillips

Costumes Denise Warner

Anything Goes

Scenic Design for North Shore Music Theatre

Direction Charles Repole

Lighting Martin Vreeland

Costumes Paula Peasley-Ninestein

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The Unexpected Guest

Scenic Design for Florida Rep

Direction Robert Cacioppo

Lighting Joseph Oshry

Costumes Stefanie Genda

The Life and Adventures of Nicholas Nickleby

Scenic Design for Orlando Shakespeare Theatre

Direction Jim Helsinger & Christoper Niess

Lighting Kevin Griffin

Costumes Jack Smith

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Wall Street Journal Review -

"...To keep so complex an enterprise in motion is a formidable feat of directorial engineering, but Messrs. Helsinger and Niess are fully equal to the task, and performing the show on a Shakespearean-style open thrust stage helps to keep the energy level high throughout. So does Bert Scott's Broadway-quality set, which makes ingenious use of a turntable, a trap door and multiple playing levels. Jack A. Smith's period costumes are just right…but why go on? Everything about this production is right..."

Proof

Scenic Design for Theatre UCF

In rotating repertory with Doubt

Direction Donald Seay

Lighting Nathan Szewczyk

Costumes Dan Jones

Doubt

Scenic Design for Theatre UCF

in rotating repertory with Doubt

Direction Christopher Niess

Lighting Daniel Dansby

Costumes Dan Jones

The Middle Ages

Scenic & Lighting Design for

Theatre Breaking Through Barriers (Off-Broadway)

Direction ke Schambelan

Costumes Chloe Chapin

TheatreMania.com review:

"...set designer Bert Scott perfectly captures the trophy room of a men's club, which remains unchanged throughout the decades..."

Bass for Picasso

Scenic & Lighting Design for

Theatre Breaking Through Barriers (Off-Broadway)

Direction Ike Schambelan

Costumes Christine Field

Othello

Scenic Design for Orlando Shakespeare Theatre

Direction Brian Vaughn

Lighting Eric Haugen

Costumes Denise Warner

Wall Street Journal Review:

"Traditional stagings of Shakespeare's plays are hard to come by these days, and it's refreshing to be reminded, as Orlando Shakespeare is currently doing in its outstanding version of "Othello," that the greatest of all English-speaking playwrights can scrape along quite nicely without hip costumes or self-consciously clever directorial touches. Brian Vaughn's production takes place in 16th-century Venice and Cyprus, not Greenwich Village or Nazi Germany, and unfolds on a flexible Elizabethan-style unit set designed by Bert Scott that hurls you from scene to scene with electric swiftness. Nothing is allowed to divert your attention from Shakespeare's harsh portrayal of jealousy run rampant, and the cast tells the tale briskly and forcefully..."

The Trial of Ebenezer Scrooge

Lighting Design for Orlando Shakespeare Theatre

Direction Jim Helsinger

Scenery Bob Phillips

Costumes Kristina Tollefson

Guys & Dolls

Scenic & Lighting Design for

Ocean State Theatre Company

Direction Russell Garrett

Costumes Brian Horton

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Newport (Rhode Island) Mercury Review:

Best Musical: ‘Guys and Dolls,’Ocean State Theatre Company

‘Guys and Dolls’ in the hands of Russell Garrett last July was a feast for the eyes and ears. Abe Burrows and Joe Swerling’s story of gangsters and showgirls, killers and kingpins, hustlers and hookers, was brought vibrantly to life on a set designed and lighted by Bert Scott and with lavish costumes designed by Brian Horton. The beautiful voices, leggy chorus girls and dual love stories were mesmerizing.

Best Set Design: Bert Scott, ‘Guys and Dolls,’ Ocean State Theatre Company

Bert Scott's magnificent set of uptown and downtown Manhattan, multiple scenes in Havana, the Hot Box nightclub, a NYC sewer, and a mission in the Bowery all made this classic musical comedy one of
the year’s hottest tickets.

Man of La Mancha

Lighting Design for Orlando Shakespeare Theatre

Direction Nick Degruccio

Scenery Jim Hunter

Costumes Denise Warner

Shakespeare in Love

Lighting Design for Orlando Shakespeare Theatre

Direction Richard Garner

Scenery Kat Conley

Costumes Angela Calin

The Last Night Of Ballyhoo

Scenic & Lighting Design for Florida Rep

Direction Greg Longenhagen

Costumes Alice Neff

Florida Weekly Review:

Set and lighting designer Bert Scott has given this family a lavish Spanish-style home that looks move-in ready. It’s so complete and realistic it’s easy to believe a family really does live there. And it’s so spacious, it looks as though Mr. Scott somehow doubled the space of the Florida Rep stage.

The Artificial Jungle

Scenic & Lighting Design for Theatre Breaking Through Barriers (Off Broadway)

Direction Everett Quniton

Costumes Courtney E Butt

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UCF Dance Concert

Lighting Design with student associate designers

UCF Jazz Band

Lighting Design

Dr Jekyll & Mr Hyde

Scenic & Projection Design for Orlando Shakespeare Theatre

Direction Cynthia White

Costumes Yao Chen

Lighting Kevin Griffin

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Orlando Sentinel Review:

Meanwhile, the technical aspects thrill, from Yao Chen's red-streaked costumes to George Hamrah's spooky sound design. Bert Scott's stage is imaginatively eerie, with its sliding doors and bubbling laboratory windows.

Nickelodeon

Scenic Design for Nickelodeon’s Live Entertainment Division

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Evita

Scenic Design for North Shore Music Theatre

Direction Nick Kenkel

Lighting Jose Santiago

Original Costume Design Christopher Oram

Of Thee I Sing

Scenic & Projection Design for Theatre UCF

Direction Mark Brotheron

Lighting Design Anthony Lefebvre

Costume Design Dan Jones & Jesinia Rodriguez

Les Miserables

Scenic Design for North Shore Music Theatre

Direction Marc Robin

Lighting Dan Efros

Costumes Kurt Alger

The New England Theatre Geek Review-

Scenic designer Bert Scott seems to follow [director Marc] Robin’s lead in making the set designs truly a part of the story, rather than the story itself. The famous barricades that shelter the idealistic French students are refreshingly thin, almost symbolic of the doomed act of resistance that the students mount against the oppressive French government. Scott’s designs slide in and out of place with a minimum of fuss, despite the fast pace of this production. It is the best use of the North Shore Music Theatre space I have seen in several years of reviewing.

Little Women the Musical

Lighting Design for Ocean State Theatre

Direction Ethan Paulini

Scenery Clifton Chadick

Costumes Emily Tadish

West Side Story

Lighting Design for Orlando Shakespeare Theatre

Direction Jim Helsinger

Scenery Jim Hunter

Costumes Denise Warner

Oklahoma!

Scenic & Lighting Design Collaboration with Vandy Wood for UCF Celebrates The Arts

Direction Earl Weaver

Costumes Dan Jones

Projections Shawn Boyle

Yankee Tavern

Scenic Design for Orlando Shakespeare Theatre

Direction Anne Herring

Lighting Kevin Griffin

Costumes Denise Warner

Pericles

Lighting Design for Orlando Shakespeare Theatre

Direction Jim Helsinger

Scenery Kat Conley

Costumes Lisa Zinni

Wall Street Journal Review:

…they’ve given us a superior “Pericles,”…Mr. Helsinger’s “Pericles” is at once traditional and up to date, with period costumes, a simple but handsome unit set and plenty of comedy to leaven the twisty plot. The results are pleasing in every way…